Ill Nature: Rants and Reflections on Humanity and Other Animals, by Joy Williams
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Ill Nature: Rants and Reflections on Humanity and Other Animals, by Joy Williams
PDF Ebook Online Ill Nature: Rants and Reflections on Humanity and Other Animals, by Joy Williams
Most of us watch with mild concern the fast disappearing wild spaces or the recurrence of pollution related crises such as oil spills, toxic blooms in fertilizerenriched rivers, and the increasing violence in our own country. Joy Williams does much more than watch. With guts and passion, she sounds the alarm over the general disconnection from the natural world that our consumer culture has created. The culling of elephants, electronprobed chimpanzees, and the vanishing wetlands are just some of her subjects. Razorsharp, controversial, scathingly opinionated, and refreshingly unafraid of conflict, Williams refuses to compromise as she lashes out at the greed of Americans and decries our own turpitude. It is not enough to mourn the passing of the natural world, Ill Nature shouts. Get out of our homes and our cars and our cubicles and do something. . .now.
Ill Nature: Rants and Reflections on Humanity and Other Animals, by Joy Williams - Amazon Sales Rank: #458742 in Books
- Brand: Williams, Joy
- Published on: 2015-10-10
- Released on: 2015-10-10
- Original language: English
- Number of items: 1
- Dimensions: 8.61" h x .59" w x 5.40" l, .0 pounds
- Binding: Paperback
- 200 pages
Ill Nature: Rants and Reflections on Humanity and Other Animals, by Joy Williams Amazon.com Review Best known as a novelist, but also an accomplished journalist, Joy Williams has a great gift for inducing guilt trips. No one is safe: in the opening pages of Ill Nature, she implicates every First Worlder in creation for causing the death of the natural world, the victim of our material urges. She writes that the thousands of new digital television towers being erected today, for example, are responsible for the deaths of millions of songbirds that unwittingly slam into them or their guylines in midflight; by extension, anyone who owns a digital TV set is partly to blame for this unforeseen episode in the larger ecological crisis, no matter how well-intentioned those viewers may be.
Turning a sharp eye on ecotourists, zoogoers, hunters, politicians, developers, expectant mothers, carnivores, conservatives, liberals, and just about anyone else who crosses her path, Williams decries the rapid loss of the wild, which in her eyes is no mere abstraction. Sometimes hyperbolic, but more often right on target, she argues that it will take more than a few cosmetic fixes to mend all the wounds that the environment has sustained. Dystopian to the last (as she writes, "You are increasingly looking at and living in proxy environments created by substitution and simulation," and not the real world at all), Williams brings plenty of heat to the page--and plenty of light, too. --Gregory McNamee
From Publishers Weekly Sharp, sarcastic and uncompromising, Williams tackles a host of controversial subjects in this collection of 19 impassioned essays dealing mostly with humans' abuses of the natural world. Two of the collection's strongest essays deal with animal rights: "The Killing Game," an antihunting essay first published, to great furor, in Esquire, and "The Animal People," which casts a harsh eye on the agricultural, medical and environmental establishments for their treatment of animals. Other pieces note the diminished state of African wildlife ("Safariland"), the increasing number of babies born in the United States despite the threat of overpopulation ("The Case Against Babies") and the impact of consumer culture on the natural world ("Save the Whales, Screw the Shrimp"). An acclaimed novelist (The Quick and the Dead) and Guggenheim fellow, Williams writes that her essays, unlike her stories, are "meant to annoy and trouble and polarize"; she terms her own nonfiction style "unelusive and strident and brashly one-sided." Readers will likely find all this true. At times, the collection falters under the weight of Williams's anger and moral indignation, and a few essays that are only loosely nature-related ("Sharks and Suicide," "The Electric Chair" and "Why I Write") undermine its momentum. However, her forceful writing and vivid depictions of habitat destruction and animal abuse ("Neverglades," "Wildebeest") make for compelling reading. Williams believes that the "ecological crisis" facing us is essentially a "moral issue," one caused by "culture and character, and a deep change in personal consciousness is needed." While it is unlikely that her combative rants will win new converts, some environmentalists may find this book a powerful call to action.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal Adult/High School-These 19 essays were first published (some in different form) in magazines as diverse as Esquire and Mother Jones. Alternating long essays with short ones, Williams looks at the state of nature and the destruction wrought upon it by humans from rich nations-and the inexcusable obliviousness of those people to what they are doing. She charms with wit and passion: as she says in the last essay, "Why I Write," "The good piece of writing startles the reader back into Life." These are, by that standard, good pieces of writing. The title of one chapter, "Save the Whales, Screw the Shrimps," conveys something of Williams's freewheeling style. "The Case Against Babies" (another knockout) might come as a revelation to many young women, even as it outrages some of their parents. "The Killing Game" is probably the best-known piece here because of the hate mail it provoked when first published. There are no "pros and cons" here: wrong is wrong, as every child knows (and many teens have not yet forgotten), and Williams knows her own mind. Though the subjects are often distressing, many teens will identify strongly with her moral outrage at injustices and cruelties inflicted upon the defenseless, and will be heartened to find a writer who so effectively expresses so much of what they feel. The book has a hideous cover but readers who get past its off-putting face will be rewarded-whether they hate it or love it-with a truly colorful reading experience.
Christine C. Menefee, Fairfax County Public Library, VA
Copyright 2001 Cahners Business Information, Inc.
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Most helpful customer reviews
26 of 27 people found the following review helpful. "Beautiful, menacing and slightly out of control." By Dennis Littrell Death and suffering are a big part of writing. A big part. (To paraphrase and turn upon the gifted Joy Williams; see page 49.) And you can't waste satire or pure hardcore ridicule on targets unworthy of the name. You've got to go after the people who kill animals, and you can't spare anybody. Sure it's duck soup to take aim at the National Rifle Association and the few Big Game Machos left in the world. Duck soup. And the sickie scientists who lobotomize chimps and torture rabbits just to see how long they can take it, their white coats starched and pressed, their nimble fingers taking copious notes. These targets are too easy. In the final analysis you gotta get the burger eaters, every one of them, not just the Super-Sized that waddle into the Burger King or the suburban Mommas sneaking out of the Krispy Kreme, bags of donuts like warm puppies under both arms, mouths stuffed. No, you've got to get the photo safari people who kill merely with their privileged, ignorant, dilettante PRESENCE in jungleland, a lily-livered affront to nature, over-tipping the guides and spilling martinis and overexposed film onto the purity of the veldt.At any rate, this is the Joy Williams rant, and what I say is rant on, Voltaire!This collection of magazine essays begins with "Save the Whales, Screw the Shrimp" in which Williams goes after the wishy-washy, faux lovers of nature, addressing them (in effect) as hey "you" with the "Big Gulp cups." Next is a short-short about rhesus monkeys being raised for laboratory research on an island charmingly called "Key Lois" (Laboratory Observing Island Simians). Williams follows this with "Safariland" in which she makes fun of the photo safari experience, reducing it to a kind of Disneyland with mosquito netting.So far Joy Williams is just satirizing. Next comes a particularly brutal short-short on wildebeests, how they can't migrate to water during the dry season as they have for millions of years because there's a cattle fence that keeps them from the water they can smell. Williams is particularly vivid as she describes thousands of them up against the fence dying of thirst. But she's only warming up. In the next piece, "The Killing Game" and in a later piece, "The Animal People" we experience the full monty of Joy Williams unleashed. Now her writing becomes (as she describes it in the final essay entitled "Why I Write") "unelusive and strident and brashly one-sided." Her words are "meant to annoy and trouble and polarize, and they made readers...half nuts with rage and disdain." (pp. 209-210)I believe it. I too love the animals, but I'd bet protozoa to primates that she'd find my efforts sadly lacking and my attitude wimpishly laissez faire.I guess the best way to demonstrate the intent and style of this remarkable book is to just quote Joy Williams. Here's the opening lines of "The Case against Babies":BABIES, BABIES, BABIES. There's a plague of babies. Too many rabbits or elephants or mustangs or swans brings out the myxomatosis, the culling guns, the sterility drugs, the scientific brigade of egg smashers. Other species can "strain their environments" or "overrun their range" or clash with their human "neighbors," but human babies are always welcome at life's banquet. Welcome, Welcome, Welcome--Live Long and Consume!Joy Williams really is a kind of earthy Voltaire, a kind of meat cleaver (as opposed to rapier) Voltaire, a kind of take no prisoners master of satire, burlesque, ridicule and just plain old verbal assassination.But she raises a profound and demoralizing question: what IS going to happen to all the animals that we claim to love so much? Both Joy Williams and I know. Only those fully compatible with humans (dogs, cats, aquarium fish) or those we can't do anything about (rats, mice, crows, sea gulls, sparrows) will survive. Joy knows this and she's angry. Her anger shows. But she's also resigned and that shows too. I know this not merely because of her tone but because of what she writes on page 209: "Nothing the writer can do is ever enough."The denouement of the book (strangely it has one; Joy Williams is an artist) comes in the penultimate essay, "Hawk." Here we are stunned to learn that "Hawk," her German shepherd dog, whom she referred to as "my sweetie pie, my honey, my handsome boy, my love," whom she would kiss fondly on the nose, turned on her one day as she was leaving him at the vet and savagely bit into and ripped at her breast and then gnawed her arms, and had to be not destroyed, but given euthanasia and cremated.I don't know what to say about this benumbing turn. Really I think Joy Williams is an artist whose inner artistic nature rises over and above her normal consciousness and tells us the truth in a way ordinary consciousness never could; and even here in a collection of non-fictional essays she has consciously or unconsciously employed the techniques of the master story teller that she is, and left us with a queasy sense of the madness of life while demonstrating that there is so much beyond our understanding.This extraordinary book should be read not so much for the overpowering arguments against our misuse of animals, or for the undeniable demonstration of our "ill nature," but for the perfect power of her words. Anyone with any pretension toward mastery of language ought to read Joy Williams. In doing so we too might learn to write, as she does, in a manner that is "beautiful and menacing and slightly out of control." (p. 210)
18 of 18 people found the following review helpful. JOY WILLIAMS IS FANTASTIC! By Beth I've been waiting for someone to speak my mind about the abuse of nature, the lip service of politicians regarding the environment, development run amok and other issues that seem beyond our control; Joy Williams does this with gusto, and one senses, a deeply passionate anger. "The Killing Game" especially runs true as I live in hunting country and hear the heart-sickening comments of hunters who can barely name a handful of the flora and fauna that surrounds them on their killing expeditions. "Wildebeest" is a poignant and sad tribute to that wonderful animal driven to survive and "The Case Against Babies" reminds us just out of control the human population is. You don't have to be a "liberal tree hugger" or nature mysticist to appreciate these essays: Ms. Williams speaks as a realist and she hits hard where it should hurt, which is to make us see our hypocritical ways. This is a fast-paced read and enjoyably sarcastic but beneath that lies a plea to speak out against man's selfish, selfish existence. She is also a fine writer. I will eagerly await her next book and hope more writers like her emerge into mainstream publishing.
13 of 14 people found the following review helpful. Uncompromising look at human idiocy . . . . . . By PeaceMonkey Joy Williams takes a clear-eyed look at the greedy, short-sighted and uncompassionate ways of humans, particularly the gluttonous, over-consuming American horde, and what small-brained humanoids have done to the natural world and the creatures who share this water planet.The truth may set you free, but first it will make you miserable --- if your heart has not been sanitized, plasticized, and chemicalized into stuporous numbness. Williams outlines the enormity of the forces arrayed against those who would preserve some of this beleaguered planet for the plants and animals and natural lifeforms.With ironical humor, razor wit and passionate uncommon sense, Williams takes aim at industrial agriculture, federal Wildlife Services (which "manages" wildlife by killing it), fertility clinics which allows infertile women to birth litters of babies on this overtaxed planet, hunters and the whole panoply of unbridled growth-is-good ideologues.(Unbridled growth, Edward Abbey wrote, is the ideology of the cancer cell.)What gourmands call veal and seafood are, in reality, the corpses of slaughtered animals. Williams opens the blinders to reveal the reality behind the modern consumerist lifestyle and while it is not pretty, there is a dark and twisted humor to it.Williams puts her money where her mouth is. When she had to sell some land she owned in Florida, she insisted, over the bellowing of the realtors, on deed restrictions that would preserve the land's natural character. Eventually, a nature-loving buyer appeared. Good show. I have had similar thoughts about preserving the trees on my little land; thanks to this author for giving me hope that I can protect them. Keep writing, Joy Williams, words can make a difference.Buy this book, take it to heart, hear the clarion call, get sane, change your life!
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