Sabtu, 30 Oktober 2010

The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor

The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor

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The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor

The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor



The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor

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A fun, true story of a man's plan to get a goat to eat the weeds in his mom's yard, and to then eat the goat with his friends, takes a turn for the better for the man and for the goat. Their experiences through life together are out of this world. Many are saying this is one of the greatest surfing goat books of our generation!

"The Surfing Goats" Goatee and Pismo, gave it "Four hooves up!" "I can't even read...and I still felt it was the best book of the year!" -Goatee, "Surfing Goat of the Year," 2011.

"I literally ate this book up. It was that good!" -Pismo, "Surfing Goat of the Year," 2012-2015.

To learn more and watch them surf or to just have a great laugh visit: SurfingGoats.com and Instagram @surfinggoats

You can find out more about the Illustrator, Ish Abdullah at IshCreatives.com

The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor

  • Amazon Sales Rank: #1302351 in Books
  • Published on: 2015-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .8" w x 8.50" l, .22 pounds
  • Binding: Paperback
  • 32 pages
The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor


The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor

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1 of 1 people found the following review helpful. A fresh venture into wild and zany possibilities of the amazing world of goats and the imagination of a surfing soccer coach By Tim Mellin A great little book here. Lots of heart, lots of fun and a fresh sense of crazy wild adventure into the wonder and magic of the zany possibilities of the animal kingdom. The artwork is colorful and appealing. My 2 year-old niece loved it! Unca Tim, read it again! She kept saying. Then she would proceed to tell me the story herself, each time learning new words. The storyline is so memorable your kid (or inner kid--forgive the pun there) will be telling the story with relish and with ease. The moral of the story is quite a good one to discuss with your 5-8 year olds too. Perfect for a special gift, appreciated as a spontaneous one to that special loved one who is still young at heart (whether 2 years old or 80 years old. A call to the inner goatherd to all ye who grew up with goats and their wacky ways, wild wisdom and amazing intelligence.

1 of 1 people found the following review helpful. this one is by far the best. Between Dana's masterful storytelling and Ish's beautiful drawings By Jay J. Of all the surfing goat books I have ever read, this one is by far the best. Between Dana's masterful storytelling and Ish's beautiful drawings, this is a page turner that fills the soul with warm fuzzies. I have read it five times now and each time I find a new nugget of wisdom in this book, that will surely become one of the all time literary classics. I eagerly await the big screen version of this epic tale.

1 of 1 people found the following review helpful. Goatee is Great! By Jaybones This book has a such a great message for young and old alike. This unique and enjoyable story teaches us that God works in amazing and unexpected ways.

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The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor
The Surfing Goat Goatee Featuring Pismo the Kid, by Dana Joseph McGregor

Jumat, 29 Oktober 2010

The King in Yellow, by Robert William Chambers

The King in Yellow, by Robert William Chambers

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The King in Yellow, by Robert William Chambers

The King in Yellow, by Robert William Chambers



The King in Yellow, by Robert William Chambers

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"The King in Yellow" from Robert William Chambers. American artist and fiction writer (1865-1933).

The King in Yellow, by Robert William Chambers

  • Published on: 2015-03-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .39" w x 6.00" l, .52 pounds
  • Binding: Paperback
  • 172 pages
The King in Yellow, by Robert William Chambers

From the Publisher From the Editor's Introduction:

To the extent that Robert W. Chambers (1865-1933) is remembered at all today, it is for "The King in Yellow", an odd collection of supernatural and "French" stories first published in 1895. It was followed by a few science-fiction comedies which are still reprinted from time to time, and then by dozens of popular historical romances and "society" novels, now long out of print and apparently unlamented. That he was originally an artist and friend of the famous Charles Dana Gibson is now mostly forgotten; knowing this, the reader can guess that Chambers was an art student in the Latin Quarter and attended the schools mentioned in his stories.

For his weird tales, Chambers took some names from Ambrose Bierce, and his own stories were later mined by H. P. Lovecraft and the pulp magazine writers of his circle. Such usage has kept "The King in Yellow", if not alive, then at least in the awareness of readers of the fantasy and horror genre. For all I know, the references have now spread to board games, rock music albums and cult television programs.

Like other readers of such literature, when I was young I enjoyed the supernatural stories in the first half of the book, but tended to skip over the tales of the artists' life in Paris in the second half. Indeed, several editions have omitted these stories entirely, substituting others more likely to appeal to the fantasy reader. However, as I grow older, the French stories appeal to me more and more. I am grateful for even a small glimpse into the author's youth in another time and place, now long gone. As an aside: the characters of these stories first appeared in Chambers' first book, "In the Quarter", which appeared in 1894.

What is "The King in Yellow" about? ("There are so many things which are impossible to explain"). The title refers to a book within our book, actually to a play in two acts, and to a supernatural character within that play who we suspect also exists outside of it. We know very little of the contents of the play, but discover that it drives the reader insane and damns his soul. Yet the book is said to be beautiful, expressing the "supreme note of art". As such, the device is a perfect one for the Decadent time in which it was created, suggesting the flowers of evil, the admixture of life and decay, beauty and malevolence.

As we move into the French stories, the supernatural elements fade away. We still have the themes of the danger of too much knowledge, and of innocence threatened and protected. The stories are loosely connected but not presented in any sort of chronological order. In fact, the first, "The Repairer of Reputations", is set in the future of 1920, and one of the later stories, "The Street of the First Shell", is a realistic account of the siege of Paris in 1870. Did Chambers have a reason for arranging the book in this way? Perhaps he wanted to introduce some distance from the locus of horror, showing how evil ripples out from a center, never entirely vanishing, but diminishing and being conquered by love. As dark as his vision may be, hope and love are never absent.

A reader is allowed his favorites. I have two: "The Mask" features a striking combination of hope and the intimation of transcendence, set against the sinister background of Chambers' mythology. It is the most Catholic of his stories, a strain that runs through many of them. And, at six pages, "The Street of the Four Winds" is one of the most perfect short stories I know.

About the Author Robert W. Chambers (1865-1933) was an American author as well as an artist. His best known work is the collection The King in Yellow. His work ranged from fantasy, horror, and science fiction to romance and historical fiction.

Excerpt. © Reprinted by permission. All rights reserved. From "The Yellow Sign":

There are so many things which are impossible to explain! Why should certain chords in music make me think of the brown and golden tints of autumn foliage? Why should the Mass of Sainte Cecile send my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver? What was it in the roar and turmoil of Broadway at six o'clock that flashed before my eyes the picture of a still Breton forest where sunlight filtered through spring foliage and Sylvia bent, half curiously, half tenderly, over a small green lizard, murmuring: "To think that this also is a little ward of God!"

When I first saw the watchman his back was toward me. I looked at him indifferently until he went into the church. I paid no more attention to him than I had to any other man who lounged through Washington Square that morning, and when I shut my window and turned back into my studio I had forgotten him. Late in the afternoon, the day being warm, I raised the window again and leaned out to get a sniff of air. A man was standing in the courtyard of the church, and I noticed him again with as little interest as I had that morning. I looked across the square to where the fountain was playing and then, with my mind filled with vague impressions of trees, asphalt drives, and the moving groups of nursemaids and holiday-makers, I started to walk back to my easel. As I turned, my listless glance included the man below in the churchyard. His face was toward me now, and with a perfectly involuntary movement I bent to see it. At the same moment he raised his head and looked at me. Instantly I thought of a coffin-worm. Whatever it was about the man that repelled me I did not know, but the impression of a plump white grave-worm was so intense and nauseating that I must have shown it in my expression, for he turned his puffy face away with a movement which made me think of a disturbed grub in a chestnut.


The King in Yellow, by Robert William Chambers

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101 of 107 people found the following review helpful. A macabre classic By john.kilby@cableol.co.uk Robert W. Chambers' "The King in Yellow" is a book within a book. Or, more properly, it's a collection of macabre short stories with a common theme; a fictional two-act play that brings decadence, hallucinations, and madness to any reader.The stories within this collection, published in 1895, are set in a fictional militaristic 1920s in both the USA and Europe. The tales stand free of each other, and are told from a number of different perspectives, by socialites, soldiers, and artists. Each tells how the lives of the narrator and colleagues have been affected by reading "The King in Yellow", a controversial play that has been denounced by the church and suppressed by governments. After coming into contact with it, their lives are tragically affected. Some find themselves hounded by shadowy agents, while others become confused and delusional. Others are driven to act out the play's sad and decadent events, while some simply go insane.The substance of the play itself is only alluded to, or hinted at in brief extracts. It is clearly a tragedy, but the motivations and actions of its central characters, including the mysterious King in Yellow himself, are not clear. Like many authors of macabre tales, Chambers was content for our imaginations to do the work, and this book is more powerful for it.(And by the way, if the central theme of a forbidden book that induces insanity is familiar to you, you've probably read some of the Mythos tales of H.P.Lovecraft. In fact, I doubt that too many people come to read "The King in Yellow" by any other route; Chambers' book is clearly stated as a strong influence on Lovecraft's work.)To be honest, I was shocked to find myself reading a book that was over a HUNDRED years old, an activity I had assumed was reserved for crusty academics and lovers of classical literature. But, more pointedly, I was surprised to find that "The King in Yellow" is a highly readable volume, full of entertaining, colourful and disturbi! ng tales with a very modern feel to them.The only downside I found was that the final few stories lose the central theme. I found myself wondering if these thinner, romantic tales, were more representative of Chambers' other work, and were, in effect, "fillers". But perhaps I missed the point? It is only this that stops me from awarding five stars to this impressive book.Overall, if you've had a bellyful of today's crop of relentless gore and explicit sexuality, take a literary Alka Seltzer by checking out the "King in Yellow".It's a classic, and I'm not talking Jane Austen.

40 of 41 people found the following review helpful. Excellent collection... By Preston Halcomb This collection of stories by Robert Chambers is an excellent companion to anyone who enjoys the Cthulhu Mythos and wants to delve into some of the inspiration for Lovecraft's fiction. Reading these stories was very much like stepping through a doorway into another dimension. The characters were well written and the plot was filled with madness and lurking horror. I would highly recommend this book to anyone.

61 of 65 people found the following review helpful. A Must-Have for Lovecraft fans By J. W. Kennedy HP Lovecraft was heavily inspired by Chambers' wierd tales from _The King in Yellow_. (He stole the name and vague concept of Hastur from it.) The frustrating thing about RW Chambers is that he COULD write very well, but for some reason he usually didn't. At his best he could weave an atmosphere of terrifying hallucinatory brilliance. At his worst he was hokey, sentimental, sappy, and tiresome. Half of his original _The King in Yellow_ consists of dopey romance stories that will infuriate the wierd fiction fan. Not so here. This Dover collection has only the best tales from _The King in Yellow_, as well as a number of other chilling morsels picked from Chambers' large body of later (mostly forgettable) work.You should get hold of this collection just for "The Repairer of Reputations," which ranks as a superior masterpiece of surreal paranoid delirium. It's one of the top 5 wierd stories of all time, and actually BETTER than anything by Lovecraft.

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Theodore Roosevelt; an Autobiography, by Theodore Roosevelt

Theodore Roosevelt; an Autobiography, by Theodore Roosevelt

Reading the e-book Theodore Roosevelt; An Autobiography, By Theodore Roosevelt by on-line can be also done effortlessly every where you are. It appears that waiting the bus on the shelter, waiting the checklist for line, or other areas feasible. This Theodore Roosevelt; An Autobiography, By Theodore Roosevelt could accompany you during that time. It will not make you feel weary. Besides, this means will additionally boost your life top quality.

Theodore Roosevelt; an Autobiography, by Theodore Roosevelt

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"[...]William Curtis described in the Potiphar Papers. The black haircloth furniture in the dining-room scratched the bare legs of the children when they sat on it. The middle room was a library, with tables, chairs, and bookcases of gloomy respectability. It was without windows, and so was available only at night. The front room, the parlor, seemed to us children to be a room of much splendor, but was open for general use only on Sunday evening or on rare occasions when there were parties. The Sunday evening family gathering was the redeeming feature in a day which otherwise we children did not enjoy—chiefly because we were all of us made to wear clean clothes and keep neat. The ornaments of that parlor I remember now, including the gas chandelier decorated with a great quantity of cut-glass prisms. These prisms struck me as possessing peculiar magnificence. One of them fell off one day, and I hastily grabbed it and stowed it away, passing several days of furtive delight in the treasure, a delight always alloyed with fear that I would be found out and convicted of larceny. There was a Swiss wood-carving representing a very big hunter on one side of an exceedingly small mountain, and a herd of chamois, disproportionately small for the hunter and large for the mountain, just across the ridge. This always fascinated us; but there was a small chamois kid for which we felt agonies lest the hunter might come on[...]".

Theodore Roosevelt; an Autobiography, by Theodore Roosevelt

  • Published on: 2015-03-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.21" w x 6.00" l, .98 pounds
  • Binding: Paperback
  • 534 pages
Theodore Roosevelt; an Autobiography, by Theodore Roosevelt

About the Author In addition to his political accomplishments, Theodore Roosevelt (1858-1919), the twenty-sixth president of the United States, is known for his achievements as a naturalist, explorer, hunter, soldier, and author.


Theodore Roosevelt; an Autobiography, by Theodore Roosevelt

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2 of 2 people found the following review helpful. Not really an autobiography, more a first person justification By Damon Wells First, let me say that Theodore Roosevelt is one of my favorite presidents. If, like me, you consider T.R. one of the greatest of our presidents and want to learn more about him, I recommend reading Edmund Morris' trilogy on him, especially "Theodore Rex". That being said, this autobiography is little more than T.R. justifying many of his decisions throughout his public life and presidency, while praising those who helped him and lambasting those who did not. While that may give you some insight into his character, for me I was lost in the minutiae. I am sure the autobiography provides reams of information for historians as raw data, but as an interesting read I found myself having to trudge through it.

2 of 3 people found the following review helpful. should have used a ghost writer By Don Bourdeau i came away from this book slightly bewildered and amused. teddy roosevelt was a mans man but he was also very strange. he never mentioned one of his children by name but seemed rather fond of the time he spent with them. he never said a word about what his relationship with his wife was like other than she bore him many children. he was obsessed with defending himself from any criticism and went to great lengths to explain how impeccably honorable he was. there was also virtually no time line to the story. i never knew if he was young or old or whether he was talking about being a clerk or the president it was so random. very uneven accounts. very interesting then very boring and repetitive

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Kamis, 28 Oktober 2010

Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe

Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin

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Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin

Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin



Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin

Read and Download Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin

Part One explains what color psychology is and why it matters. Part Two shows how to apply what you have learnt, through the exercises throughout the book, to branding, environments and personal use of color.

Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin

  • Amazon Sales Rank: #89504 in eBooks
  • Published on: 2015-03-05
  • Released on: 2015-03-05
  • Format: Kindle eBook
Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin


Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin

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5 of 5 people found the following review helpful. Win Easily By Understanding Colours By Candoar A five star review means that I love this book.Why?- Colours are an integral part of nature- Today, in the corporate and cement jungle, what we see are the bright, captivating and disturbing colours- A way to understand colours is by understanding them in the nature's positioningThis book shows that first and then,- Explains the use of them for the reader WITH PRACTICAL EXAMPLES- Gives the reader enough material to understand the nature, effect and result with finesse- Makes us understand what colour does what to one in a calm, smooth elegant wayYou Won't Think Of Colour Next Time After You Have Read This BookReadability 4/5Understandability 4/5Lay out, structure 3.5/5Value for money 4/5Usefulness 4/5

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Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin

Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin

Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin
Your True Colors: A practical guide to color psychology. Grow your Color Sense and shine in branding, interior design and personal wardrobe choices (Interpreter Guides Book 1), by Catherine Shovlin

Selasa, 26 Oktober 2010

Maria Antoinette - Makers of History, by John Stevens Cabot Abbott

Maria Antoinette - Makers of History, by John Stevens Cabot Abbott

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Maria Antoinette - Makers of History, by John Stevens Cabot Abbott

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"Maria Antoinette - Makers of History" from John Stevens Cabot Abbott. American historian, pastor, and pedagogical writer (1805-1877).

Maria Antoinette - Makers of History, by John Stevens Cabot Abbott

  • Published on: 2015-03-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .34" w x 6.00" l, .46 pounds
  • Binding: Paperback
  • 150 pages
Maria Antoinette - Makers of History, by John Stevens Cabot Abbott


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2 of 2 people found the following review helpful. Is an excellent history book By Karem I like this book because besides the real history also contains anecdotes and thats makes an entertaining reading...I recommend it!

1 of 1 people found the following review helpful. Let them eat "stale" cake ! By djemale This was an "ok" biography. It seemed slightly "fluffy." I didn't mind that the author was "pro" Marie Antoinette, but the whole tone of the book and his approach to her life was slightly flippant and lacked depth. Interesting historical facts though.

0 of 0 people found the following review helpful. you get to actually feel what is going through their minds as they travel through their worst nightmare. i highly reccomend this By elizabeth kirby this work takes you behind the scenes and involves you in the revolution. you get to know marie in a close intimate way going beyond all the rumors and innuedoes of that period. you get to actually feel what is going through their minds as they travel through their worst nightmare. i highly reccomend this book to anyone who loves history, or desires to get to know historical figures through an alterior viewpoint.

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Maria Antoinette - Makers of History, by John Stevens Cabot Abbott
Maria Antoinette - Makers of History, by John Stevens Cabot Abbott

Jumat, 22 Oktober 2010

The Parasite: A Story, by A. Conan Doyle

The Parasite: A Story, by A. Conan Doyle

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The Parasite: A Story, by A. Conan Doyle

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This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

The Parasite: A Story, by A. Conan Doyle

  • Published on: 2015-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .6" w x 6.00" l, .11 pounds
  • Binding: Paperback
  • 24 pages
The Parasite: A Story, by A. Conan Doyle

About the Author Sir Arthur Ignatius Conan Doyle (1859-1930) was a Scottish physician and prolific writer most renowned for his ingenious Sherlock Holmes detective stories A Study in Scarlet, The Sign of the Four, The Adventures of Sherlock Holmes, The Memoirs of Sherlock Holmes, The Hound of the Baskervilles, The Return of Sherlock Holmes, The Valley of Fear, His Last Bow, and The Case-Book of Sherlock Holmes. His collected body of work includes science fiction stories, historical novels, plays, romances, poetry, and nonfiction. Conan Doyle was knighted by King Edward VII in 1902 after writing a widely acclaimed pamphlet defending the British position in the Boer War.


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18 of 19 people found the following review helpful. Fast, Suspensful, Good Characterization By Louie Louie Other non-Holmes stories by Sir Arthur Conan Doyle have left me wishing he'd just stuck to Holmes. Not this one.In this story, Doyle does not try to incorporate the deductive reasoning of Holmes, and he has created a very believable and interesting character who tells the story from the first person. "I" is not only hypnotized by a woman but his mind is at times completely taken over by her. She even forces him to pledge his love for her. Through sheer force of will, he is able to counter her control but never for long. After he tells her that he hates her, she makes him do and say things that make him look like a lunatic. And then...Short. Fun to read. And like I said, this story works because it really is a departure from the Holmes character and doesn't need Holmes to make it work.What can I say but I liked it?

11 of 13 people found the following review helpful. Well off Conan Doyle's beaten track ... horror with a Victorian flair! By Paul Weiss Sir Arthur Conan Doyle is, of course, best known for his Sherlock Holmes and Professor Challenger characters. What is much less well known is that Doyle was fascinated with spiritualism and the paranormal. Indeed, his fascination may well be categorized as a morbid obsession to find proof of existence beyond the grave dating from depression which began after the death of his wife, Louisa, in 1906. Doyle's readers, at least, can be pleased with the results. His futile efforts at quasi-scientific exploration of paranormal phenomena provided fodder for an enormous number of short stories and novellas that could hardly be more different from the focused attention on data and facts - it only counts if it can be seen, felt, observed and measured - that is seen in the Sherlock Holmes canon. These little known stories, exemplified by THE PARASITE, can best be categorized within the horror genre.Austin Gilroy, a physiologist, is a realist and is firm in his belief that the paranormal is hokum. On the other hand, his friend, Professor Wilson is a dyed-in-the-wool true believer and, with a view to convincing his skeptical friend, introduces him to a "skilled" psychic, Miss Penclosa. Despite his rejection of her amorous advances, Gilroy is maddened to discover that he is falling under the power of Penclosa's abilities and that he is being forced into the humiliating position of unwilling and subservient love slave to Miss Penclosa. And he is positively horrified to realize that he is contemplating the mutilation and murder of his current fiancée with a vial of sulphuric acid.THE PARASITE is an enjoyable novella that can be comfortably devoured in a single sitting and atmospheric literature that exemplifies Victorian behaviour and beliefs. The story itself, while hardly up to the grisly standards of 21st century horror, is typically open-ended and, like so many Twilight Zone episodes, leaves the reader with a pleasant feeling that all is not as it seems and any number of possible resolutions might be imagined.Highly recommended if you'd like to sample some Arthur Conan Doyle writing that is well off the beaten track! Those readers interested in pursuing more of the same might explore the anthologies ROUND THE FIRE STORIES and THE HORROR OF THE HEIGHTS.Paul Weiss

1 of 1 people found the following review helpful. She's messing with my head By Karl Janssen When he wasn’t writing Sherlock Holmes detective tales, Sir Arthur Conan Doyle was cranking out all manner of short stories and novels in the genres of science fiction, mystery, horror, historical adventure, and what might best be described as medical fiction. Conan Doyle, being a physician himself, obviously had an interest in science, but he was also fascinated by the occult. Somewhere betwixt those two areas of interest lies the realm of parapsychology and his short novel of 1894, The Parasite. Though the title may lead one to believe the book is a medical thriller, the host for this particular parasite is actually mental rather than physical. The Parasite is a suspenseful tale of mind control by mesmerism.Austin Gilroy is a young professor of physiology who places immense value in the certainty of scientific fact. His colleague Professor Wilson, however, who studies the relatively newborn field of psychology, is more open to the possibility of unexplained phenomena. Wilson invites Gilroy to his home to witness a demonstration of mesmerism by the mysterious Miss Penclosa. Gilroy skeptically volunteers to be entranced by Penclosa, and to his surprise she is actually capable of doing so. He decides to research the physical science behind mesmerism, and asks Miss Penclosa to perform a series of experiments with him. After several sessions in which she hypnotizes him, Gilroy begins to realize that she has a powerful psychic hold over him. He is horrified to discover that she is in love with him and intends to make him her slave. Since this woman is capable of controlling him just as a puppeteer directs the actions of a marionette, how will he ever escape her evil clutches?The Parasite is a fun gender-bending variation on the countless tales of helpless women forced into the harem of a domineering svengali. In this case it’s the man who must fear for the loss of his precious virtue. Perhaps Conan Doyle’s novel is an expression of a late 19th-century fear of powerful, independent women. If Gilroy’s antagonist were a male, he would have more options available for retaliation, such as violence or public denunciation. Since his nemesis is a woman, however, his is bound by Victorian era societal codes on how to deal with the fairer sex, no matter how evil they may be. Conan Doyle’s hands are unfortunately tied by these same codes, which may be what prevents him from capping the story off with a satisfying finale.Though this is a positive review overall, I must offer a warning to the reader: the ending of this story absolutely sucks. How do you rate a work that is 99% entertaining when it’s ruined by its final sentence? Looking on the bright side, the disappointment inspired by the weak conclusion does not negate the suspenseful ride it took to get there. The Parasite really is a fun psychological thriller that keeps you guessing as to what’s going to happen next. This premise and plot could easily be made into an exciting Hollywood blockbuster, if only someone would come up with an ending that finishes it with a bang rather than a fizzle.

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Rabu, 20 Oktober 2010

The Critical Period of American History, by John Fiske

The Critical Period of American History, by John Fiske

Reading, once again, will give you something new. Something that you don't understand then revealed to be renowneded with guide The Critical Period Of American History, By John Fiske notification. Some expertise or driving lesson that re received from reading publications is uncountable. A lot more books The Critical Period Of American History, By John Fiske you read, even more expertise you get, and also a lot more possibilities to always like reading e-books. Due to the fact that of this factor, checking out publication must be begun with earlier. It is as what you can get from the e-book The Critical Period Of American History, By John Fiske

The Critical Period of American History, by John Fiske

The Critical Period of American History, by John Fiske



The Critical Period of American History, by John Fiske

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"[...]some lands on the Ohio River and the Maine frontier. After seven years of fighting she not only kept these lands, but all of Canada, Louisiana, and Florida, and ousted the French from India into the bargain. No, said Vergennes, he would not rest content with the independence of America. He would not even regard such an offer as a concession to France in any way, or as a price in return for which France was to make a treaty favourable to England. As regards the recognition of independence, England must treat directly with America. Effects of Rodney's victory. Fall of the Rockingham ministry, July 1, 1782. Grenville was disappointed and chagrined by this answer, and the[...]".

The Critical Period of American History, by John Fiske

  • Published on: 2015-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .62" w x 6.00" l, .67 pounds
  • Binding: Paperback
  • 274 pages
The Critical Period of American History, by John Fiske


The Critical Period of American History, by John Fiske

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5 of 6 people found the following review helpful. Ye Old Tyme History By Scrapple8 `The Critical Period' by John Fiske covers the early years of the post-Revolutionary United States of America. While the United States had secured a hard-fought independence and concluded the hostilities of the Revolutionary War, the next five years featured a series of setbacks until the states met to draw up a serviceable constitution. This book covers the story, including detailed coverage of both bookend events: The Treaty of Paris and the Ratification of the American Constitution.This book was mentioned as a resource in Chapter Seven of History of the United States by Charles A. Beard and Mary Ritter Beard. Fiske's coverage of the five years between the book-end events make this book stand out. Edmund Randolph listed the problems of the era in his opening speech to the Constitutional Congress, `The federal government has no constitutional power to check a quarrel between separate states; nor to suppress a rebellion in any one of them; nor to establish a productive impost; nor to counteract the commercial regulations of other nations; nor to defend itself against the encroachments of the states.' Fiske describes the incidents behind those problems in detail, making the reader understand the link between the events of the critical period and various words of the Constitution.You may have heard of some of these incidents, such as Shays Rebellion, the Newburgh Conspiracy, the Jay-Gardoqui Treaty with Spain, and the Northwest Ordinance of 1787- which was not an incident but one of the highlights of the era. If you don't quite remember these incidents, Fiske reminds you about them, with good explanations of the issues. He also describes other incidents of the era that are lesser-known: the Know-Ye Measures of Rogue's Island, the Rutgers versus Waddington trial over the Trespass Law in New York, and a pair of military conspiracies that scared the collective wits of the country, especially when they occurred around the same time as the better-known Newburgh Conspiracy and the Order of Cincinnati drama of 1783.Did you know that Patrick Henry - `Give me liberty or give me death! - advocated the formation of a Southern Confederacy with Virginia joining the Carolinas, Georgia, and the western lands of Kentucky, Tennessee, and the Yazoo lands west of Georgia? The western territories were upset that the Jay-Gardoqui Treaty of 1786 allowed the Mississippi River to be closed to American traffic for twenty years. Because New Englanders supported this treaty, Henry stated that the north was an unreliable custodian of liberty in the frontier. In the end, the treaty was not approved. Henry also opposed the Constitution inked at Philadelphia for other reasons.Fiske also makes a unique argument that many of the American delegates at Philadelphia were trying to shoehorn a misunderstood version of the British government into republican principles. This interesting argument states that the Glorious Revolution of 1688 made the Parliament the national body with power in England, but practically, these changes were not realized for 136 years. Such an argument is not made much today, maybe because it is a bit confusing to Americans unfamiliar with the history of the British government.This book is free on Kindle, so the price is right. I downloaded an e-book for free on Project Gutenberg, so my review is based on that version of the book. The book was written in 1888 but the prose was not too stilted and the story was not too outdated. Some of Fiske's remarks about Indians may be considered socially incorrect today, but they are a small part of the book. His opinion was not an uncommon viewpoint from the times.This book gave a wonderful account of the Critical Period. I used the book in conjunction with A Brilliant Solution: Inventing the American Constitution by Carol Berkin, a modern look at the American Constitution. I'd recommend this book by Fiske to anyone looking to understand the events that sparked the Constitutional Convention.

0 of 0 people found the following review helpful. Traditional in Structure, Better than Most By Amazon Customer Following the traditional structure, Fiske emphasizes military and governmental events. However, he does it in more detail than usual; his examples are often interesting and little-known, and his language is lively. One of the best.

0 of 0 people found the following review helpful. Great book! By AJBUCH This is an excellent book and great follow up to Fiske's "The American Revolution". I loved reading those two volumes as well as this one...Fiske was an excellent historian and author and the proof is evident in these pages.

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Kamis, 14 Oktober 2010

Caleb Williams, by William Godwin

Caleb Williams, by William Godwin

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Caleb Williams, by William Godwin

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Caleb Williams, by William Godwin

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From the intro: "The reputation of WILLIAM GODWIN as a social philosopher, and the merits of his famous novel, "Caleb Williams," have been for more than a century the subject of extreme divergencies of judgment among critics. "The first systematic anarchist," as he is called by Professor Saintsbury, aroused bitter contention with his writings during his own lifetime, and his opponents have remained so prejudiced that even the staid bibliographer Allibone, in his "Dictionary of English Literature," a place where one would think the most flagitious author safe from animosity, speaks of Godwin's private life in terms that are little less than scurrilous. Over against this persistent acrimony may be put the fine eulogy of Mr. C. Kegan Paul, his biographer, to represent the favourable judgment of our own time, whilst I will venture to quote one remarkable passage that voices the opinions of many among Godwin's most eminent contemporaries. In "The Letters of Charles Lamb," Sir T.N. Talfourd says: "Indifferent altogether to the politics of the age, Lamb could not help being struck with productions of its newborn energies so remarkable as the works and the character of Godwin. He seemed to realise in himself what Wordsworth long afterwards described, 'the central calm at the heart of all agitation.' Through the medium of his mind the stormy convulsions of society were seen 'silent as in a picture.' Paradoxes the most daring wore the air of deliberate wisdom as he pronounced them. He foretold the future happiness of mankind, not with the inspiration of the poet, but with the grave and passionless voice of the oracle. There was nothing better calculated at once to feed and to make steady the enthusiasm of youthful patriots than the high speculations in which he taught them to engage, on the nature of social evils and the great destiny of his species. No one would have suspected the author of those wild theories which startled the wise and shocked the prudent in the calm, gentlemanly person who rarely said anything above the most gentle commonplace, and took interest in little beyond the whist-table."

Caleb Williams, by William Godwin

  • Published on: 2015-03-09
  • Original language: English
  • Dimensions: 9.00" h x .47" w x 6.00" l,
  • Binding: Paperback
  • 206 pages
Caleb Williams, by William Godwin

Review

“The originality of Caleb Williams will be obvious to the student or general reader who encounters it in this exemplary addition to the Broadview [Editions] series. The editors provide a clear, thorough introduction that places the novel in its political, philosophical, and literary contexts, as well as a chronology and bibliography. Six appendices serve up generous helpings of the fruits of recent scholarship that illuminate the fiction’s relation to things as they were. Providing glimpses of Godwin at work, samples of ardent political discourse of the 1790s, and snippets of narrative by Holcroft, Wollstonecraft, Richardson, Defoe, and less well-known writers, the supplementary materials are fascinating in themselves.” ― Rachel M. Brownstein, The Graduate School and University Center, CUNY

From the Publisher The Broadview Literary Texts series is an effort to represent the ever-changing canon of literature in English by bringing together texts long regarded as classics with valuable, though lesser-known literature.

From the Back Cover

William Godwin was one of the most popular novelists of the Romantic era; P.B. Shelley praised him, Byron drew heavily on his narrative style, and Mary Shelley, Godwin’s daughter, dedicated Frankenstein to him.

Caleb Williams is the riveting account of a young man whose curiosity leads him to pry into a murder from the past. The first novel of crime and detection in English literature, Caleb Williams is also a powerful exposé of the evils and inequities of the political and social system in 1790s Britain.

In addition to the text itself, the editors have included an extensive selection of primary source materials from the period, ranging from Godwin’s original manuscript ending and excerpts from his political writings to contemporary reviews, the political writings of Burke and Paine, and materials on criminals and the English prison system.


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25 of 25 people found the following review helpful. An adventure in sheer psychological terror. By mp Having never myself been the victim of a wrongful criminal accusation, imprisonment, or torture, I was ill-prepared for the experience of reading "Caleb Williams". I once thought that Orwell's "1984" and "Animal Farm," or the fiction works of Camus, Kafka, or Sartre were more than adequate to address the problem of total alienation and isolation in the very midst of humanity. Even Richardson's "Pamela" carries its heroine through half the novel in a state of claustrophobic paranoia. In 1794, Godwin created a world and a mind no less frightening than the worst and most depraved of the 20th century. That we still toil through issues of basic human and legal rights entering the 21st century speaks to the complexity of these issues and casts a shadow of doubt over our ever finding a suitable solution.In an effort to expose the hypocrisy of a legal system under the complete influence of the "long purse" and the lack of recourse of the common man to justice, Godwin has his hero Caleb suffer increasing terrors, imprisonment, and the threat of ceaseless surveillance at the hands of the ex-thief Gines. Like Richardson's Pamela, Caleb's suicidal fantasies enable him for a short while to claim control over his mind and his situation.Unlike Pamela, Caleb fails to maintain this control, even after he forces the ruthless Falkland to admit to the murder of Tyrrel. In a scene reminsicent of ones in "1984" and Kafka's "The Trial," Caleb relinquishes what little power he has been able to garner over his torturer. Falkland, a frail, physically powerless, demoniacal 'gentleman,' through a constant and pervasive presence in Caleb's own fragile mind has unwittingly reclaimed final power over the novel's helpless hero.By internalizing the social hierarchy since childhood, Caleb is finally unable to bear the disgrace he brings upon Falkland. Ironically, while he is pursued across England and Wales as a thief, he claims innocence. Once he is exonerated of his crime, he is insistent on his guilt. "Caleb Williams" is an endlessly complex and captivating novel, frought with issues of power, levels of narrative, and takes issue with the flawed notion of human justice.

7 of 8 people found the following review helpful. Who Saw A One Armed Man Flee ... By Martin Asiner In CALEB WILLIAMS, William Godwin begins a genre that will be known as the "chase" theme, one that Victor Hugo will later pick up in print and television will, much later, dramatize as Dr. Richard Kimble, The Fugitive. All chase themes involving an innocent man necessarily involve two criteria: the one being chased must be innocent and the chaser must have a credible stake in the chase. Both are present in the book. The hero is Caleb Williams, a secretary for a sullen employer named Falkland, a man who himself was reputed to be the innocent victim of a capital crime. Caleb spends considerable time prying into the affairs of his employer, who tells Caleb, that he is indeed guilty as charged and warns Caleb to be silent. Caleb refuses and Falkland has him arrested on a trumped-up charge. Caleb escapes and the chase begins. The chaser is less an individual than a collective entity. There is no Inspector Javert from Hugo or Lieutenant Gerard from "The Fugitive" who tirelessly pursues Caleb. Rather it is the unjust law itself. Godwin was disturbed over the potential of the law to torment the impoverished innocent who lacked the means to mount a proper legal defense. The ending in which Falkland admits to his crime in front of a magistrate just three days prior to his death smacks of a fabricated ending, but the message to Godwin's audience was chillingly clear. Innocence is no defense against the rich and powerful, a warning which rang just as true in Godwin's day as in ours.

3 of 3 people found the following review helpful. The first crime novel? By F. J. Harvey In his study of the crime novel "Bloody Murder " the critic and novelist Julian Symons made out a persuasive case for Caleb Williams to be considered the first fully fledged crime novel to be published.As a contrast Scott Bradfield ,writing in the book " Horror ;the Best 100 books"(edited by Jones and Newman)included the book as his choice for the best horror title.I am more persuaded by Symons categorization -although there are elements of the Gothic novel present that lend support to Bradfields assertions and it strikes me as an interesting paradox that such a pioneering work in the crime literature pantheon is one that fundamentally contradicts so many of the values espoused by later crime writers with their social and intellectual conservatism.Caleb Williams is the work of a political radical , an Anarchist and supporter of the French Revolution,many of whose friends and associates were in prison for sedition and treason at the time he wrote the book eg Tom Paine.Caleb is a young man taken into the employ of the local squire Falkland ,a kind and public spirited man but one who harbours a secret ,which is concealed in a room that Caleb is instructed he must never visit .He disobeys and finds evidence that Falkland is a murderer ,guilty of a crime for which another man was hanged.He is forced to flee to escape Falkland's vengeance ,a flight that sees him throw in his lot with a robber gang amomgst others.On one level it is a tale of pusuit and flight ;on another it is a swingeing critique of injustice ;an injustice Godwin sees as inherent in any oligarchial political system.The first part of the book -which establishes Falkland as an essentially kind and decent man-is heavy going for modern readers but as the novel gains pace and Caleb's plight intensifies it becomes a more gripping tale .Recommended for crime fiction devotees who want to see what the pre Poe practitioners were doing ;it will also interest students of the relatively unexplored highways and bye ways of the English novel.

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Rabu, 13 Oktober 2010

King Philip - Makers of History, by John Stevens Cabot Abbott

King Philip - Makers of History, by John Stevens Cabot Abbott

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King Philip - Makers of History, by John Stevens Cabot Abbott

King Philip - Makers of History, by John Stevens Cabot Abbott



King Philip - Makers of History, by John Stevens Cabot Abbott

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"King Philip - Makers of History" from John Stevens Cabot Abbott. American historian, pastor, and pedagogical writer (1805-1877).

King Philip - Makers of History, by John Stevens Cabot Abbott

  • Published on: 2015-03-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .44" w x 6.00" l, .59 pounds
  • Binding: Paperback
  • 194 pages
King Philip - Makers of History, by John Stevens Cabot Abbott


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0 of 0 people found the following review helpful. Not the English King Phillip. By teach This is Phillip, son of Massasoit, Chief of the Wampanoags during the mid-1600s. Well written and easy to read. Informative of the settlement of New England starting with the Pilgrims. Though the viewpoint is primarily Eurocentric since they were writing the history, not the Native Americans. Phillip is described as "a man of superior endowment." While native americans in general were considered to be lazy, haughty and intolerant vagabonds. The author concedes that conflicts between the natives and settlers were as much the fault of the Europeans as the natives.

0 of 0 people found the following review helpful. great item By qmann9 It all was a great experiance. the seller sent what they advertized and in a very timely amount of time. i feel it was a good deal and will tell all my friends about the experance.

0 of 0 people found the following review helpful. good book By Smart Shopper Interesting history book...well written and well researched

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The Life of Admiral Viscount Exmouth, by Edward Osler

The Life of Admiral Viscount Exmouth, by Edward Osler

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The Life of Admiral Viscount Exmouth, by Edward Osler

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"[...]Amazon wrecked—Admirable conduct of her officers and crew—Droits de l'Homme wrecked—Horrible circumstance of her fate—Anecdote of the French Commodore—Eventual fate of the Captain of the Amazon. CHAPTER VI. THE MUTINY. [...]".

The Life of Admiral Viscount Exmouth, by Edward Osler

  • Published on: 2015-03-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .45" w x 6.00" l, .50 pounds
  • Binding: Paperback
  • 196 pages
The Life of Admiral Viscount Exmouth, by Edward Osler


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3 of 3 people found the following review helpful. The story of a heroic life well lived. By Dustin E Proehl This biography reads like the best action thrillers. The story of a man who lived an action filled life, filled with so many heroic acts it is almost beyond belief. I can't recommend this book highly enough.

0 of 0 people found the following review helpful. An Excellent Biography By Ephraim Bulow This is a well researched book into the life of a fascinating character. Anyone who has read the Patrick O'Brien series of Aubrey/Maturin books, or who has an interest in the Royal Navy of the Napoleonic era absolutely should read this biography of Edward Pellew - clearly the greatest frigate captain of his age (Alexander Cochrane notwithstanding).

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Selasa, 12 Oktober 2010

Virtually Human: The Promiseand the Perilof Digital Immortality, by Martine Rothblatt

Virtually Human: The Promiseand the Perilof Digital Immortality, by Martine Rothblatt

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Virtually Human: The Promiseand the Perilof Digital Immortality, by Martine Rothblatt

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A groundbreaking and compelling book that gives readers an in-depth understanding of the most thought-provoking and important technological innovation of the twenty-first centuryEvery day, social media is automatically uploading our thoughts, memories, preferences, beliefs, and history to a virtual existence, essentially creating a "mindfile" of ourselves. Thousands of software engineers across the globe are working on "mindware" to create from these mindfile personalities and humanlike consciousness in computer software, or cyberconsciousness. In the next decade or two, these efforts will result in the first digital copies of our identities, which will be our "mindclones."

In Virtually Human, Martine Rothblatt shares her insights into how cyberconsciousness will manifest in our lives, and what we need to consider when a new, high-tech population of mindclones awakens to the rights, privileges, and obligations humans take for granted.Virtually Human conveys a profound understanding of how close we are to achieving a full simulation of the human brain via software and computer technology in clear, positive language, and raises numerous ethical and moral questions we absolutely need to address now, before the technology becomes commercially viable and accessible to all of us. Virtually Human will be the essential companion book to the future of mankind.

Virtually Human: The Promiseand the Perilof Digital Immortality, by Martine Rothblatt

  • Amazon Sales Rank: #364699 in Books
  • Published on: 2015-10-06
  • Released on: 2015-10-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.85" h x 1.00" w x 5.70" l, 1.00 pounds
  • Binding: Paperback
  • 368 pages
Virtually Human: The Promiseand the Perilof Digital Immortality, by Martine Rothblatt

Review

“A fascinating read that clearly brings Alan Turing into the twenty-first century.” ―J. Craig Venter, Ph.D., author of Life at the Speed of Light and creator of the first synthetic cell

“Martine Rothblatt has a knack for expanding our minds as well as our comfort zones beyond customary boundaries, be they of gender or substrate.” ―Ray Kurzweil

“Maybe the most fascinating woman on the planet” ―Jezebel

“Ingenious... a thoughtful philosophical exploration of the role of virtual humans in our future” ―Kirkus Reviews

“Exponential technologies are driving a new dimension of human evolution. In her compelling book, Virtually Human, Martine Rothblatt outlines how artificial consciousness is just around the corner, and explores the scientific and ethical ramifications. Science fiction is rapidly becoming science fact and the implications are breathtaking. Virtually Human is critical reading to anyone who plans to be around for the next couple of decades.” ―Peter H. Diamandis, MD, CEO, XPRIZE; Exec Chairman, Singularity University; New York Times bestselling author of Abundance: The Future is Better Than You Think

“We are in the midst of a war between biological and electronic brains for dominance in our hybrid population. Bio-brains are, so far, ahead based on their inventiveness, energy-efficiency and exponential improvement rate. Will ethics asymmetrically restrict engineering humans or will it equally apply soon to 'virtually human' electronic brains? Martine's insights on these and many other topics are timely and welcome.” ―George Church, Harvard Professor, and author of Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves

“In Virtually Human, Martine Rothblatt builds on the observation that "I think, therefore I am" in ways that Descartes could not have imagined. With the rapid evolution of artificial intelligence, Rothblatt predicts that we soon will confront cyberconsciousness comparable to--indeed, indistinguishable from--the human mind. When we cross this technological Rubicon, we will be forced to reconsider the meaning of concepts as foundational as life and death, law and liberty, love and kinship. Bringing to bear the lessons of history, philosophy, psychology, law and science, Rothblatt makes abundantly clear that these unprecedented challenges will define the humanity not just of our technological doppelgangers but of ourselves.” ―Rachel F. Moran, Dean and Michael J. Connell Distinguished Professor of Law, UCLA School of Law, and author of Interracial Intimacy: The Regulation of Race and Romance

“Martine Rothblatt delivers an engaging exploration of the pathway to the near-term realization of our digital clones, and through the many ethical, legal, and spiritual challenges their advent will pose. Even skeptics, like myself, will find Virtually Human an intriguing vision filled with profoundly challenging ideas.” ―Wendell Wallach, Yale Interdisciplinary Center for Bioethics, co-author of Moral Machines: Teaching Robots Right From Wrong

“The social struggle over the moral status of uploaded personalities and machine minds will be as fraught and momentous as the struggles to end slavery and extend women's suffrage. In Virtually Human, Martine Rothblatt brings her remarkable intellect and profound ethical insight to this issue in a way that will make it essential reading.” ―James J. Hughes, Ph.D., Executive Director, Institute for Ethics and Emerging Technologies

“Advances in cognitive and computer sciences render artificial humans possible, some duplicating natural individuals with increasing fidelity. When must we confront the ethical, legal, and social implications? Now, in Virtually Human!” ―William Sims Bainbridge, author of Personality Capture and Emulation and eGods: Faith Versus Fantasy in Computer Gaming

“A wide-ranging, very readable, and possibly prescient look at one of the future's most exciting -- and at the same time most disturbing -- possibilities. Martine Rothblatt has been investigating this field, which some call uploading, for as long as anyone and has many rewarding insights.” ―J. Storrs Hall, author of Beyond AI and Nanofuture

About the Author MARTINE ROTHBLATT, Ph.D., MBA, J.D. is a lawyer, entrepreneur, and medical ethicist. In 1990 she founded and served as Chairman and CEO of Sirius Satellite Radio (now Sirius XM). When her daughter was diagnosed with a rare disease, Martine left Sirius to search for a cure. She founded United Therapeutics in 1996 and has since served as Chairman and CEO. Martine is also a leading legal advocate for human rights and has led the IBA in presenting the UN with a draft treaty on the genome.


Virtually Human: The Promiseand the Perilof Digital Immortality, by Martine Rothblatt

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Most helpful customer reviews

16 of 19 people found the following review helpful. Intriguing- but hardly convincing By Michael J. Edelman Rothblatt is a believer- if that's not too strong a word- in Ray Kurzweill's notion of the "Singularity"- the point at which machine intelligence will surpass that of humans, and evolution and the destiny of mankind will be forever changed. Before we reach that point, Rothblatt believes we will reach a point in the very near future in which human minds can be embodied in artificial machines, creating "mind clones." This is a very clever notion, as it sidesteps one of the biggest problems in AI: How do you go from representing propositions in a machine (trivially easy) to embodying an actual conscious mind? Simple, says Rothblatt. You start with an already-existing mind and just transplant it into the machine! This is of course not a trivial thing, but Rothblatt believes that (1) it is possible to create a machine with consciousness (2) we are very close to being able to do that and (3) such a "mind clone" would have far reaching societal and legal implications. "Virtually Human" is therefore divided in to three sections, roughly speaking, each of which addresses one of Rothblatt's contentions.Rothblatt 's initial task is to argue that It is possible to embody a conscious intelligence in a machine. I am myself predisposed to the idea that AI is possible, but I am also critical of many of the arguments that have been made for AI in the past. Rothblatt tries to address some of the more well-known criticisms of AI, but I don't think she does a particularly convincing job. A major problem with the way she addresses the question is that she never actually defines consciousness, or sets a benchmark for what level of complexity and awareness would be necessary to call an entity conscious. She is sympathetic to the idea of consciousness as a continuum,and cites Douglas Hofsteader's admission that even a mosquito would have a "scintilla" of consciousness. But that's not what most people or researchers mean by consciousness. (One excellent definition I recall went like this: Every living thing has within it a model of the world with which it interacts that enables it to act purposively. When that model becomes complex enough to include the living thing itself, that thing can be said to be concious.)Rothblatt singles out Gerard Edelman (no relation) as a major critic of AI to be argued against, and to that end she presents a caricature of Edelman's argument but never addresses its core, which is rooted in the notion of experiential consciousness- that consciousness arises from the interaction of a mind with its environment. This idea can be traced back to Wittgenstein's notion of meaning, and the whole question of what philosophers of mind call qualia: How is it that physical sensations are translated into mental constructs? The AI critic most associated with these sorts of criticisms is Herbert Dreyfus, who has apparently escaped Rothblatt's notice. Dreyfus had four main objections, one of which was the ontological objection: Proponents of AI assume that the entirety of the world can be expressed (and is so in the mind) as a series of propositional statements, and the history of AI research since the 1970s suggests that human knowledge cannot be encapsulated in this manner.Never mind, says Rothblatt, that's only because computers aren't powerful enough yet, but they will be, extrapolating from the last few decades of advances in computer complexity. Once computers are fast enough and have enough memory, we can simply transfer someone's entire store of memories to a computer, creating a virtual duplicate of their mind. How will we do that? We already have, she argues, pointing to the huge repositories of information about self contained in Facebook entires, Tweets, and other social media, and rolls out "Bina48" as a sort of example of what could be done. Yes, Bina48 is not conscious, Rothblatt admits, but with enough memory, a fast enough processor, and a big enough database "she" could become an embodiment of the real Bina. But even if Dreyfus' ontological experiment doesn't hold, how could you transfer a lifetime of experiential knowledge to a machine? Rothblatt does a lot of hand waving here noting that "clearly" the mind clone doesn't have to have the same knowledge represented in the same order to become the same person, and act and react in the same way. Even if you buy that argument (I don't, for a number of reasons) it says nothing about whether the clone is actually self-aware.The bulk of this book is concerned with the legal and moral implications of mind clones, and it's certainly interesting reading, but it's not very focused. Rothblatt is obviously a very intelligent person with a lot of ideas and opinions, and she tries to squeeze as many as possible into the latter 200+ pages of this book. An index would be helpful, as would tighter organization and a more logical flow. Overall, reading Virtually Human is like listening to a lecture from someone who has a tremendous amount to say but hasn't spent enough time organizing their thoughts and listening to opposing points of view. Those interested in Kurweill notion of the Singularity would be better served by reading his book on the subject. For those interested in the issues of AI it's hard to recommend a beginner's book that looks at all the issues; the Wikipedia article on AI is a very good place to start.

4 of 4 people found the following review helpful. fascinating premise but highly speculative - for now By Knits in Tardis I'm dubious that humanity will achieve anything near to virtual immortality via artificial intelligence this century, let alone over the next decade or three. I'm not sure that being persuaded of its inevitability is really necessary, however, to be entertained and even a little informed by this book.The brief bio on the back of my advance copy was intriguing. This is the founder and CEO of Sirius Radio. She founded a pharmaceutical company to buy and produce a "shelved" medication for her daughter, potentially extending the lives also of other sufferers of a rare disease. She's either an undiscovered movie-of-the-week candidate, or a bit of a tall tale-teller. Hmm. Let's check her out on the internets!When I did some digging, the author's story resolved as even more impressive-slash-unlikely. I won't go into all of it, but this is a woman with multiple degrees and successes in several fields, and distinctions including being the highest paid female CEO in the U.S. Born genetically male, she married, had children, and then had gender reassignment surgery in the early 1990s. Her marriage and relationship with her children has survived and evidently thrived where many post-op transsexuals report very much the opposite experience. Did I mention the part where she became a pilot so that she could help expedite emergency medical deliveries? Rothblatt's story shares much with the bios of Sir Richard Branson, Steve Jobs, and Carl Sagen....with maybe a little L. Ron Hubbard on the side. The parallels there are also a bit eerie. She's got a passionate interest in speculative science, and has actually started a "transhumanist" religion. There's a bit of eccentricity or "true believer" ethos that comes across in her writing, jarring perhaps as much as anything because this brand of futuristic topic is generally authored by someone well versed in the hard sciences. Dr. Rothblatt's Ph.D. is in medical ethics, and indeed her musings, although bolstered by sympathetic, forward-looking men and women of science, tend to gravitate to the softer side of the sciences - she hard-sells the (supposed) fait accompli of AI in our age early on in her book, and devotes much of the rest to her consideration of the sociological, ethical and spiritual ramifications of a future world where our personalities can live forever as sentient, incorporeal beings with feelings, rights, and responsibilities.You don't have to have avidly followed developments in A.I. over the years for all of this to have a familiar ring. From the eponymous movie starring Haley Joel Osmond to this summer's _Extant_ miniseries, exploration of the potential humanity of A.I.s or robots is a perennial favorite. There were a lot of times I stopped mid paragraph in this book to think about what _Star Trek: The Next Generation's_ Data would have to say about this or that aspect of the "rights" of mindclones or how their existence might change how we view the world. WILL change, if we are to believe the author.And in the end, it is the certainty on the part of the author that kept me wary and somewhat un-invested in her hypotheticals. Were it presented as a science fiction novel about real A.I.s who continue the lives of the deceased and yet are also somehow "alive" and "people" in their own right, I think I would be captivated. As it is presented, however, the material is subject to scrutiny in terms of the author's motivations for proposing her argument (furthering her religion? Starting a new "eternal life" company?) Science hypothesizes, zealots promise.For now, I am skeptical, but ask me again in 30 or 40 years.

13 of 17 people found the following review helpful. Amazing insight into the future of technology, from one of the best minds in the business By Amazon Customer I'd like to give six stars for the first half of this book, and four stars for the second, hence five stars. In general the book is quite incredible--it's like having a conversation with an off-the-charts smart friend, and watching in fascination as they tell you not only where technology is going, but also what the ramifications will be. And the ramifications of the ramifications. And it's not a pie-in-the-sky forecast, but "the first elements are already here" forecast, by someone who created Sirius radio and now works in robotics (with a forward written by the Google director of engineering--someone else who's ALL OVER current technological trends). Wow. The basic premise is that within 20 years, we'll have the technical capacity to copy your brain into a computer (and back), sort of like we do with artificial hearts today (e.g., something else pumping your blood while you get a heart transplant). And that once *that* technology is there (e.g., for people with Alzheimer's), it will be easy enough for other people to copy their brains and keep them around, for fun, for Alzheimer's protection, for "immortality" or contacts with friends and family after you die, etc. And the artificial brain will even be able to think and use logic and have judgement calls on ambiguous input, and ethics, all of which are also in their early (or less early) stages in software today--though they'll need the boost that hardware and software are on track to give them.The breadth of this book is vast, covering such thorny topics and side effects as:* Hardware/software capacity and limitations* Copyrights* Ethics (both of the robots / mind clones, and for the humans creating them / experimenting on them)* Eugenics* Mental illness (both mentally ill humans using this technology, and new bugs/viruses in the technology itself)* Government interests* Advertisers' interests* Legal rights and limitations* Spirituality and religionAnd if the topics themselves aren't enough, she brings a surprisingly broad understanding of all of the following as _background_ to explain how she reached the conclusions she did:* Game theory* Medical technology (e.g., heart transplants and prosthetics)* Medical ethics* History* Citizenship status and associated issues* Black markets* Philosophy* Religion (a slight judeochristian bias, though she also talks about the Tao, Quran, and a few others)* Ethics (wide range of perspectives, including Ten Commandments, Asimov's Three Laws of Robotics, Kant's Categorical imperative, Golden Rule, etc.)* Psychology* 3D printers (once we can print anything, it will be easy enough to give the artificial brain technologies a physical basis)* Self-driving cars* Robotics* Consciousness (there are a few pages in there that reminded me of reading textbooks on the nature of consciousness--a bit dense, and you're probably fine to just skim those pages)* Technology life cycles* Memory (including the importance of forgetting, and patterns of forgetting)I really can't do justice to the points she makes (although the forward does a good job of that), but it reminds me of how in the 90's, the internet had all the promise of everything we have today, but the technology simply wasn't there yet (and still wasn't after 5 years, when the dot-com-boom crashed). But it _is_ there today. This is similar, and with the same crowd-sourced push that will mean it will eventually happen... it will be the result of a million individual efforts more than the result of a single herculean push.The second half of the book does get a bit redundant, telling you the same basic points over again in slightly new contexts, but not triggering any more "wow" or "ahah!" moments on my part. So it was still decent, but not nearly as fun.So that's my review. Questions I'd love to ask the author if I could are:* She states that your mindclone really is a copy of "you," but can travel elsewhere and sync back with you. Would it still count as "you" if it goes somewhere and does things without your knowledge (analogous to sleepwalking, but to an extreme degree)? What if you and your mindclone bifurcate and never reconnect?* If you can't easily import things ("firsthand") from your mindclone into your brain, what if it has more broad, rich life experiences than you (via software) and becomes a different person than you as a result?* Will society need a cap on the number of mindclones you can make? Like a sperm bank caps the number of kids from any particular donor... especially since I'd imagine that fanatics would be the most likely to replicate themselves endlessly.

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Virtually Human: The Promiseand the Perilof Digital Immortality, by Martine Rothblatt
Virtually Human: The Promiseand the Perilof Digital Immortality, by Martine Rothblatt